Volume 29, Number 9 · May 27, 1982

The Rape of the Voice

By Veronica Geng
Diva
directed by Jean-Jacques Beineix, screenplay by Jean-Jacques Beineix, by Jean Van Hamme. (adapated from the novel by Delacorta)

One of the current hits in Paris is Milan Kundera's play Jacques et Son Maître, a 'variation,' as the author calls it, on Diderot's novel Jacques la Fataliste. In an introduction to the French edition of the play, Kundera describes himself as 'a hedonist trapped in a world politicized to the extreme,' and celebrates the eighteenth-century spirit that balances passion with 'reason and doubt, play and the relativity of all human things.'[2]



Review, 2014 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search