One of the current hits in Paris is Milan Kundera's play Jacques et Son Maître, a 'variation,' as the author calls it, on Diderot's novel Jacques la Fataliste. In an introduction to the French edition of the play, Kundera describes himself as 'a hedonist trapped in a world politicized to the extreme,' and celebrates the eighteenth-century spirit that balances passion with 'reason and doubt, play and the relativity of all human things.'[2]
Review, 2014 words
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