Cleveland Museum of Art, distributed by Indiana University Press, 360, 440 illustrations pp., $50.00
The avant-garde is a historical construction rather like the French Revolution. The more one studies the French Revolution, the less one is sure exactly which events belong to it, who engaged in it, and for what motives: the events seem not to hang together with the continuity one had imagined, the people are difficult to classify, their motives disparate, purely personal, often mysterious. A report of a recent talk by one of the most distinguished authorities on the revolution, Richard Cobb, shows the state of the question:[1]
Review, 5578 words
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