Knopf, 400 pp., $13.95
Several irrelevancies and relevancies, with related sub-irrelevancies and sub-relevancies, may be used to help a new piece of fiction with purchasers—libraries and the like—and with reviewers, and (we get to them in the end) with readers. Among them are subject and place. Another is that the novel should be 'discovered,' coupling this with degrees of peculiarity and mystery about the author, who should be recently dead, and with quantum suff. of the word 'classic'—a classic undoubted, which might have stayed unknown. Then publishers, frequently both helpful and timid, may like to have all or some of these considerations swung across the bow by a champagne launcher who is, as we say, an 'established' author; all of which, while it makes this reviewer immediately suspicious, should make him determined to be fair.
Review, 1494 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |