Volume 28, Number 15 · October 8, 1981

A Bachward Glance

By Joseph Kerman
Bach and the Dance of God
by Wilfrid Mellers

Oxford University Press, 324 pp., $39.95

Wilfrid Mellers is known in England as a composer, an educator of some importance, and a copious writer on music. He has written books on Music in Society, François Couperin and his milieu, American music, and the Beatles, among other topics. Now in his mid-sixties, he is producing as a sort of summa a two-volume study of Bach and Beethoven as religious composers. From Bach and the Dance of God it is clear that this composite study is not to be confined to musical works of an overtly sacred genre. The lingering medieval mind of Bach's Lutheran heritage, Mellers believes, equated or all but equated the sacred and the secular spheres, so that the entire body of Bach's music is, in the deepest sense, religious. If and how Mellers adapts this equation to Beethoven, in the second volume which has not yet appeared, it will be interesting to see.



Review, 3375 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search