In September 1893 there appeared a new art periodical called The Studio; and, to the scandal of all established art lovers, the principal section was devoted to the drawings of an unknown boy of twenty-one named Aubrey Beardsley. The scandal was not due simply to the fact, regrettable enough in that age of solid reputations, that he was young and unknown, but to the character of the drawings themselves. Aestheticism had already shown its head. Gilbert and Sullivan's Patience was more than ten years old; but nothing, not even The Picture of Dorian Gray, which had been published in the preceding year, had been so openly and defiantly fin de siècle as these four drawings by Aubrey Beardsley.
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