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'I knew,' the narrator of Fitzgerald's The Last Tycoon says, 'that since 1933 the rich could only be happy alone together.' Muriel Spark, in The Takeover, suggests that since 1973, with the oil crisis and the onset of the new Dark Ages, the rich have lost even that insulated happiness. Sponged on, held up, ripped off, blackmailed, kidnapped, they have become an endangered species, their paintings, antiques, cash, and multiple international holdings mere invitations to swindle and looting; all their assets transfigured into liabilities. There has been 'a change in the meaning of property and money,' we are told:
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