Farrar, Straus and Giroux, 721 pp., $40.00
As John Brewer, in his exhilarating remapping of eighteenth-century culture in The Pleasures of the Imagination, turns his attention from the engravings of Thomas Bewick to the provincial musical life of the amateur musician John Marsh, he takes a sideswipe at the readers of this journal:
Review, 4475 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |