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Playful and pompous by turns, cosmopolitan, provincial, lucid, hazy, brave, evasive, Octavio Paz is the Platonic idea of a Latin American intellectual; and not the least of his achievements is to fill with charm and distinction and irony that difficult and wearying role. For the intellectual in Latin America is critic, clown, priest, radical agitator, and Victorian school-master all at once—a man for far too many seasons. He must evaluate the past, scoff at the present, bless new movements in literature and art, discreetly encourage the right kind of revolution, and compose ritual letters of recommendation for his country and countrymen. Among other things. What is surprising about Paz is not that he should have written a certain amount of nonsense in recent years but that he should have done nothing worse than write nonsense; and better still, that he should have written a great deal of poetry that is far from being nonsense.
Review, 3610 words
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