Volume 20, Number 16 · October 18, 1973
Photography
By Susan Sontag
We linger unregenerately in Plato's cave, still reveling, our age-old habit, in mere image of the truth. But being educated by photographs isn't like being educated by older, more crafted images. For one thing, there are a great many more images around claiming our attention. Daguerre started the inventory, with faces, and since then just about everything has been photographed; or so it seems. This very instability of the photographing eye changes the terms of confinement in the cave, our world. In teaching us a new visual code, photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe. The most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our heads—as anthology of images.
Feature, 5381 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |