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'For Valéry,' W. H. Auden has remarked, 'a poem ought to be a festival of the intellect, that is, a game, but a solemn, ordered, and significant game, and a poet is someone to whom arbitrary difficulties suggest ideas.' For Valéry, and now for Mr. Auden, especially in About the House, City Without Walls, and Epistle to a Godson, books written according to the principle that, whatever life is, poetry is a carnival. The poet begins with language, delighting in the exercise of its possibilities, and he stops short of Mardi gras only by requiring his language to recognize the existence of the primary world in which we live.
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