An Explanation of My Title: Historical scholarship, that ragbag of myth, holds that once in 1927, while recording at the Columbia Studios, Bessie Smith had run through all her prepared material and then found herself with enough time left for another song and no way to use it except by making up the lyrics as she went along.
The result was “Lost Your Head Blues” and one of Bessie’s supposed improvisations was:
Once ain’t for always
And two ain’t but twice.
The beauty of the lines was inexplicable and so was their meaning. Exegeses of Bessie’s work have always tended to err in the direction of the coarse; and we pursued the mystery of the import of these words for the longest while among esoterica of sexual reference far beyond our own puny experience.
But we never solved their puzzle; and it teased me into late middle age until suddenly I understood. Bessie had meant to speak not about some unfamiliar variety of sexual congress but about a human condition that, if it is not universal, has inescapably been my own.
To say that once ain’t for always is to remind us that to have done what we ought to have done is no assurance that we will do it the next time we ought and that to have left undone what we ought to have done is no condemnation to the leaving of all future oughts undone.
“Lost Your Head Blues” has since resided in me as the revelatory text for a life history that has been a continual process of confronting and suppressing one bad part of my character and then finding and struggling to suppress quite another bad part on and on and probably unto the last breath.
Now it has occurred to me that I may not be alone in this condition and that it might, as Clarendon put it, be not unuseful to the curiosity if not the conscience of mankind to attempt a memoir each of whose chapters would record some new discovery and transient overcoming of another deformed aspect of my nature. That is what I will try to do if the Lord has the kindness to allow me time to complete my recitals of successive combats with devils who once surprised with their newness and are now old and apparently old, gone, and replaced. Only His hand can finally spare me from unexpected encounters with some next one.
I came back from the war with nothing scarred about my person except a cartridge clip shot from my fatigue trouser pocket north of Bataan in February of 1945.
In the years before its disappearance I would occasionally happen upon it in a bureau drawer and be reminded less of how close life’s wounds scrape than how unaware they take us when they do.
We had been whiling an afternoon away in a firefight where we had, as amateurs do, been wasting our stocks of ammunition, and a …