Like other writers of great ambition, Haruki Murakami has created his own distinctly identifiable world, an imaginary universe that can be found in even the smallest of his works. “The Year of Spaghetti,” a short tale that originally appeared in The New Yorker a few years back, takes up a mere five pages in his latest story collection, but it is about as concise an introduction to Murakami’s cosmos as one could wish. “In 1971 I cooked spaghetti to live, and lived to cook spaghetti,” the anonymous narrator informs us. Those are the horizons of his existence.
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