Tune to the frequency of the wood and you’ll hear
the deer, breathing; a muscle, tensing; the sigh
of a fieldmouse under an owl. Now
listen to yourself—that friction—the push-and-drag,
the double pulse, the drum. You can hear it, clearly.
You can hear the sound of your body, breaking down.
If you’re very quiet, you might pick up loss: or rather
the thin noise that losing makes—perdition.
If you’re absolutely silent
and still, you can hear nothing
but the sound of nothing: this voice
and its wasting, the soul’s tinsel. Listen…Listen…