National Gallery of Art/DelMonico, 137 pp., $49.95
Allen Ginsberg’s snapshots of friends—the subject of the exhibition at the National Gallery, Beat Memories: The Photographs of Allen Ginsberg—are fascinating since few of them are well-known and they often show their subjects in their youth—a fresh-faced, toothy, nerdy Ginsberg, for instance, long before he became the bearded guru, and a melancholy, poetic William Burroughs before he became the saurian undertaker seen in familiar portraits.
This article is available to subscribers only.
Please choose from one of the options below to access this article:
Purchase a print subscription (20 issues per year) and also receive online access to all articles published within the last five years.
Purchase an Online Edition subscription and receive full access to all articles published by the Review since 1963.