Yale University Press/ Metropolitan Museum of Art, 350 pp., $65.00
Knowing how to be noticed was one of Georgia O’Keeffe’s most valuable skills as an artist; she knew that mystery was part of her allure. The aloofness she cultivated extended to her personal life, about which biographers have long speculated. At the time of her death in 1986, it was learned the letters she had bequeathed to Yale would remain sealed for twenty years, thus preserving, for a decent interval, any lingering secrets of her personal life. These were thought to concern, in particular, her difficult relationship with the photographer, collector, and art impresario Alfred Stieglitz.
This article is available to subscribers only.
Please choose from one of the options below to access this article:
Purchase a print subscription (20 issues per year) and also receive online access to all articles published within the last five years.
Purchase an Online Edition subscription and receive full access to all articles published by the Review since 1963.
A Tumor for Mr. Mutt? March 22, 2012