A Man of Principle


a film directed by Ralph Fiennes

Some years ago, on a visit to one of the countries carved from the ruins of Yugoslavia, I asked a friend, a sensitive writer who had just agreed to take a government position, how he could endure serving the thug who headed the state. He looked at me. “Our murderers,” he said with a thin smile, “are better than their murderers.” Ralph Fiennes’s new film of Shakespeare’s Coriolanus conjures up a Balkan world of jostling murderers, though it is not clear that one is better than another.

This article is available to subscribers only.
Please choose from one of the options below to access this article:

Print Subscription — $74.95

Purchase a print subscription (20 issues per year) and also receive online access to all articles published within the last five years.

Online Subscription — $69.00

Purchase an Online Edition subscription and receive full access to all articles published by the Review since 1963.

One-Week Access — $4.99

Purchase a trial Online Edition subscription and receive unlimited access for one week to all the content on nybooks.com.

If you already have one of these subscriptions, please be sure you are logged in to your nybooks.com account. If you subscribe to the print edition, you may also need to link your web site account to your print subscription. Click here to link your account services.