Crazy Horse—an inside look at the celebrated Crazy Horse Saloon in Paris—is the thirty-ninth film that Frederick Wiseman has made since he established himself in 1967 with the devastating Titicut Follies, about life in a mental hospital in Massachusetts. Aside from two fiction films, these are all documentaries, ranging in length from seventy-five minutes to six hours—documentaries in a mode particular to Wiseman, who is not fond of the term “documentary” and has emphasized the relation of his films to the methods of fiction.
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