“A House to Die In”
Despite the persistent image of the architect as a heroic loner erecting monumental edifices through sheer force of will, the building art has always been a highly cooperative enterprise. Although the parti (basic organizing principle) of a design may sometimes be the product of one intelligence, the realization of a structure of even moderate complexity depends on a broad range of expertise seldom encompassed by any individual, no matter how singularly gifted. As an artistic endeavor, present-day architecture most closely resembles filmmaking, in which the prime creative mover, the director—even the most visionary of auteurs—requires the specialized technical skills of a large cohort of indispensable collaborators.
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