Riverhead, 207 pp., $13.00 (paper)
Counterpoint, 328 pp., $27.50
Over the last twenty-five years the mix tape has become a paradigmatic form of popular expression. It is one part Victorian flower album, one part commonplace book, one part collage, and one part recital. The maker dubs onto cassette or burns onto CD a group of songs by other hands, the selection and sequence intended to compose a billet-doux, score a dance party, prove a point, or simply demonstrate the compiler's taste and expertise. It is a natural outcome of home-recording technology, and represents a back-porch, scaled-down amateur version of the highly competitive art of the DJ.
Review, 3333 words
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