an exhibition at the National Gallery, London, June 27–September 16, 2007, and the Royal Picture Gallery Mauritshuis, The Hague, October 13, 2007–January 13, 2008.
Royal Picture Gallery Mauritshuis/National Gallery/Waanders, 280 pp., £30.00; £19.95 (paper)
Abrams, 384 pp., $65.00
Distributed Art Publishers, 167 pp., $27.50
Abraham Casteleijn, a middle-aged newspaper publisher, holds up his right hand as if he might address us. But the roll of his eyes and his slack-shouldered slouch on the dining chair deprive the gesture of any energy. It resolves into a fond, resigned welcome, inviting us into the urbane muddle of his Haarlem mansion: his globe, the Turkish rug on his table, his hat slapped down on a loose stack of bound folios, a paper or two—perhaps some 1663 copy of the Weeckelycke Courante van Europa—dangling beneath them. The bust of a long-dead local worthy looms over his shoulder, po-faced, rectitudinous, dour. It sets a note of severity that Abraham and his wife Margarieta dutifully observe in their garb of black satin—good, serious folk, adherents to the Mennonite confession.
Review, 4682 words
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