American Place Theater
Obviously, we cannot ask that reviewers from the Manhattan dailies know a great play from a bad one. Few people ever have managed that. How expect it of a man, largely untrained, who must rush to his office after a single performance and deliver sentence without time to think or question his feelings? It is probably too much, also, to ask that reviewers recognize great dramatic direction. That demands a conceptual and emotional grasp over a total work of art. How expect that from a man who has given his life to the socalled communication media—that is, to the control and prevention of anything exceptional (including excellence) in thought or feeling? I had hoped that we could demand the ability to discriminate great acting. Yet even a country boy like myself should have known they would either ignore it, or would praise it together with inferior work, so keeping the world safe for mediocrity.
Review, 2473 words
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