Rutgers University Press, 235 pp., $49.95
A characteristic series of images in Camilo José Vergara's remarkable book portrays Newark Street in Newark, New Jersey. The first photograph, taken in January 1980, shows three row houses. The buildings are typical of the blue-collar, inner-city housing built in the early 1900s when booming cities like Newark were a magnet for industrial workers, both immigrants and native-born. The houses are not elaborate. They are merely serviceable, although a hint of classical decoration around the front doors lends them a certain dignity. It is evident that they have seen better days. The shallow front yards are ill-kempt and forlorn. Still, there are signs of human occupation: curtains and blinds, television antennas, a piece of garden fence. Nor are there any broken window panes. An old car is parked out front with a man standing beside it. The accompanying text tells us that he is the landlord, and his car is sagging at the rear because he has just loaded the trunk with domestic odds and ends stripped from the houses. He has decided to abandon his properties rather than invest more money in maintenance and repairs. He looks happy.
Review, 3137 words
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