Now that Niels Bohr's famous unsent letter to Werner Heisenberg has finally been published—and for the most part only confirmed commentators in the differing views they already held—I have been looking back over the entire debate that my play Copenhagen seems to have provoked since it was first produced in New York in the spring of 2000, trying to work out what I still wanted to defend in my version and whether there was anything I needed to modify.
Feature, 4828 words
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