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Gao Xingjian, who won the Nobel Prize for literature in 2000, first got into trouble with the Chinese authorities in 1981, when he published A Preliminary Discussion of the Art of Modern Fiction. He was put under surveillance, and the process began which was to end in the banning of his work and his exile from China. The offensive thing about Gao's book was that he advocated the influence of modernist techniques on contemporary fiction. Chinese writing under communism has, by decree, had a heavily social-realist and propagandistic bias; modernist ideas were until very recently seen as decadent, corrupt, and inherently capitalistic.
Review, 3955 words
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