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The poet James Schuyler (1923– 1991) and the painter Fairfield Porter (1907–1975) met in 1952. Abstract Expressionism was at its most triumphant and seemingly irresistible, with New York poised to supplant Paris as the epicenter of modern art. The experiments of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning were beginning to influence those working in other art forms too: 'New York poets,' Schuyler once observed, 'except I suppose the color-blind, are affected most by the floods of paint in whose crashing surf we all scramble.'
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