Viking, 507 pp., $32.95
University Press of Kentucky, 344 pp., $29.95
OTHER BOOKS REFERRED TO IN THIS ARTICLE
Penguin, 640 pp., $18.00 (paper)
Scribner, 655 pp. (1989; out of print)
Vintage, 463 pp., $16.00 (paper)
Da Capo Press, 549 pp., $24.00 (paper)
Southern Methodist University Press, 310 pp., $14.95 (paper)
Twenty-one years after his death, in 1985, at seventy, Orson Welles remains an artist whose achievement is open to question, and a figure people seem to feel they have to take sides about. He might have expected this unsettled situation since his most famous film, the 1941 Citizen Kane, is less the life story of an individual than the story of the impossibility of making a biography of him, and many of Welles's other movies are about persons who, met in the days or hours before their deaths—Charles Foster Kane is encountered the second before he dies—won't make easy subjects for their biographers, either. The two most recent books on him, Simon Callow's Orson Welles: Hello Americans, the second volume in what will be a monumentally scaled three-volume biography, and Joseph McBride's What Ever Happened to Orson Welles?, a detailed look at his later years, both set out to clear away misconceptions and wind up presenting two quite different individuals.
Review, 5102 words
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