Volume 56, Number 16 · October 22, 2009

Come Rain, Come Shine

By Claire Messud
Nocturnes: Five Stories of Music and Nightfall
by Kazuo Ishiguro

Knopf, 221 pp., $25.00

Kazuo Ishiguro is a writer unlike any other. This may seem a truism—what writer, after all, is not unlike others?—but Ishiguro's fiction is, in fact, very strange indeed. His celebrated gift lies in illuminating the hidden emotional complexities beneath a mundane surface—something canonically accomplished in The Remains of the Day, and again, more menacingly, in his last extraordinary novel, Never Let Me Go. But he is also the author of two deeply mysterious books, The Unconsoled and When We Were Orphans, in which reality itself is called into question, and the fiction's only firm ground is Ishiguro's unerringly calm, even placid, prose. Perhaps what is strangest about Ishiguro's work is precisely that: the marriage of a narrative style of almost thrilling banality and a surreal, often dark imagination.



Review, 3517 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search