Norton, 247 pp., $23.95
Stendhal once wrote that 'politics in a work of literature is like a gunshot in the middle of a concert, a crude thing and yet it's impossible to withhold one's attention.' His own example suggested that it was possible to reconcile the guns and the music—like the cannons in the 1812 Overture, perhaps—but it is not easy. Recent fiction in English set in Pakistan has had to face the challenge squarely, however. The rule of law has been violated there so often, and the public trust plundered so extensively, that the country's damaged political culture now taints much of private life.
Review, 2968 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |