Farrar, Straus and Giroux, 894 pp., $50.00
Sheep Meadow Press, 157 pp., $11.95 (paper)
Duke University Press, 273 pp., $49.95 (paper)
Federico García Lorca is one of the best-known poets of the twentieth century and one of the best-loved Spanish poets of any time, but he remains a curiously elusive figure, restless and changing in his work as in his life. Does he belong to tradition or to the avant-garde? Are his strengths his simplicity and closeness to the popular imagination, or his elegance, sophistication, and learning? Did the author of so many delicate children's songs also create all those poems and drawings riddled with ugly sexual fear? Can the poet of the darkly tormented homoerotic sonnets really have produced the shrill railing against 'fairies' that stains the 'Ode to Walt Whitman'? Is there a way to get from the haggard drama of The House of Bernarda Alba to the Pirandellian high jinks of The Public?
Review, 5793 words
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