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Postmodernism in the arts notoriously starts from the premise that 'anything goes,' but this is no great help if we are trying to find out what sort of fiction today is actually thought and spoken of as postmodernist. The expression has often been used about the books of Angela Carter, and so has the rather more easily definable term 'magic realism.' Indeed when she first started to publish in the Sixties her novels were hailed in England as an enterprising native version of the kind of thing that was being done in North America by Thomas Pynchon and in South America by Gabriel García Márquez.
Review, 3977 words
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