Scribner's, 613 pp., $60.00
Scribner's, 337 pp., $60.00
Scribner's, 395 pp., $60.00
Knopf, 579 pp., $50.00
British Film Institute, 424 pp., $19.95 (paper)
University of California Press, 317 pp., $19.95 (paper)
Atheneum, 384 pp., $19.95
Harvard University Press, 377 pp., $37.50
The centenary of movies as a public spectacle is nearly upon us. Only specialists will care whether the benchmark date ought to be May 9, 1893, when members of the Brooklyn Institute of Arts and Sciences lined up to peep into Thomas Edison's kinetoscope and watch a twenty-second film of three men hammering on an anvil and sharing a bottle of beer; or December 28, 1895, when at the Grand Café in Paris the Lumière brothers inaugurated a program featuring The Arrival of a Train at the La Ciotat Station and other movies made with their camera-projector-printer the cinematographe; or any of the other candidates. What matters is that about a hundred years ago a new species of language began to alter human life irrevocably.
Review, 5787 words
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