Volume 33, Number 16 · October 23, 1986
The Faker's Art
By Joseph W. Alsop
For every Sunday museum visit by every well-regulated New York family; for all museum tours by New York high school art classes; and especially for all students of late Renaissance gold work, whether New Yorkers or visitors, the Metropolitan Museum's 'Cellini Cup' used to be a recognized, even required, goal of pilgrimage.
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