Random House, 247 pp., $16.95
As perhaps befits a literary high priestess of the Baby Boomers' generation, Ann Beattie is a writer who insists on Having It All—at least in the tricky matter of an author's relationship with her characters. In both her stories and her novels, Beattie remains aloof from her fumbling spouses and lovers and siblings, those benumbed graduates of Sixties rebellion and Seventies alienation; but she also tries to get inside their somewhat silly heads—even if not for very long or very deeply. She seems to smile at pratfalls of behavior while fretting over missed connections, to laugh at nostalgia while being nostalgic, to mock the latest fashion while also somehow delighting in the fashionable. She wants to be ironic and clinical and worldly-wise—if never 'judgmental.' But Beattie is after pathos, too, not to mention a serious theme; and everything is meant to fall into place—sometimes within one story or chapter, even within one page or paragraph—without any real loss of narrative coolness or authorial ambivalence.
Review, 1747 words
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