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For centuries now poetry and prose have been growing further and further apart. As prose has become dominant poetry has lost its old authority and freedom and become more sensitive and self-conscious, more provincial even. Like a minority language, it is spoken only among its own people, the poets who cherish it but also give it the air of a survival. Hard indeed for a poet today to ignore this tendency, let alone reverse it. Among long narrative poems the brilliant exceptions—Pushkin's Evgeny Onegin, Macpherson's Ossian, Tennyson's Idylls of the King, Longfellow's Hiawatha—succeed by emphasizing the role of poetry in competition with prose, rather than seeming to pay it no attention.
Review, 2863 words
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