Houghton Mifflin, 361 pp., $26.00
Like Portnoy in the Holy Land, Zuckerman in the Berkshires can't get it up. The problem isn't the state of Israel. The problem is absence of a prostate. All that worry in The Counterlife about quintuple bypass heart surgery turns out to have been beside the point. Cancer is the point. Philip Roth's autumnal novels are riddled with it. As if the rioting cells were Mickey Sabbaths, anarchist-provocateurs, the body itself is besieged, plundered, ridiculed, and desecrated. At least since American Pastoral (1997), Zuckerman has been impotent. In The Human Stain, he is also incontinent, with cotton pads in his plastic underpants. Why should Roth spare us the prurient details of our dying—a morphine drip, an IV pole—any more than he has ever spared us the baroque graffiti of our unobstructed id, the priapic troll and vagina dentata?
Review, 4314 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |