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T.S. Eliot spoke of seeing Baudelaire as 'something more than the author of the Fleurs du Mal.' 'He is in fact a greater man than was imagined, though perhaps not such a perfect poet.' This is an odd view, but Eliot was, by 1930, tired of what he called Baudelaire's machinery ('prostitutes, mulattoes, Jewesses, serpents, cats, corpses') and anxious to register signs of spiritual struggle wherever he could find them. Baudelaire 'attracted pain to himself,' was able to 'study his suffering.'
Review, 5292 words
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