Volume 29, Number 8 · May 13, 1982

Electronic Maestros

By David Hamilton
On and Off the Record: A Memoir of Walter Legge
by Elisabeth Schwarzkopf

Scribners, 292 pp., $17.95

Putting the Record Straight
by John Culshaw

Viking, 362 pp., $17.50

The legend 'Produced by X' began to appear regularly on classical recordings only around 1960, though of course the function it denotes had existed long before and was performed anonymously by people called 'recording director' or 'artist and repertoire man' ('A&R' for short). Under whatever title, the producer supervised the progress of the recording session in both its musical and technical aspects, and sometimes had a part in planning the particular conjunction of performer and music. In some quarters, the tradition of public anonymity still prevails; Volker Straus of Philips, who with the Amsterdam Concertgebouw produces the most persuasive current orchestral recordings, is not named on jackets or labels.



Review, 2239 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search