Volume 27, Number 2 · February 21, 1980

Windows on Russia

By John Bayley
The Russian Empire: A Portrait in Photographs
by Chloe Obolensky, with an introduction by Max Hayward

Random House, 345 pp., $24.95

Windows on the River Neva: A Memoir Books, Wellfleet, Massachusetts 026677)
by Paul Grabbe

Pomerica Press, 187 pp., $8.95 (Windows on the River Neva may be ordered from West lane

The art of the camera, if it is an art, is subject more than any other art to the laws of nostalgia. It needs only ten years for an advertisement in a magazine to acquire charm of a quaint, retrospective kind. Pictures with more pretension live in a limbo of modernism, of art deco. Family snapshots carry the strongest charge of emotion reconstituted in tranquility, as analyzed in Philip Larkin's poem 'Lines on a Young Lady's Photograph Album.' The camera confers on reality all the immunities possessed by art: every contingency is caught and held inside the magic circle, becoming 'smaller and clearer as the years go by.'



Review, 2239 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search