Volume 47, Number 9 · May 25, 2000

Tea with Okakura

By Christopher Benfey
Okakura Tenshin and the Museum of Fine Arts, Boston October 23, 1999-March 26, 2000.
an exhibition at Nagoya/Boston Museum of Fine Arts, Nagoya, Japan,, Catalog of the exhibition edited by Saeko Yamawaki, by Nobuko Sakamoto, by Makiko Yamada, by Hitomi Sato

Nagoya/Boston Museum of Fine Arts, 238 pp., $29.95 (paper)

The Book of Tea
by Kakuzo Okakura

Kodansha International, 160 pp., $10.00 (paper)

Commodore Matthew Perry's historic 'opening' of Japan in 1854 did not open up very much. Many American ships had run short of supplies or foundered near Japan's xenophobic shores, which had been closed to foreigners since the Shogun's declaration in 1639 that Christians were a menace to Japan. Perry's sailors put on a minstrel show, the Japanese countered with a sumo match, and a treaty was signed—at gunpoint, more or less. But hospitality was slow in coming to what Melville in Moby-Dick called 'that double-bolted land, Japan.'



Review, 5429 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search