In the days after Suharto's downfall this May, a huge construction pit in the middle of Jakarta, abandoned and filled with mud, was transformed into a remarkable, and illegal, amphitheater. A ragtag group of artists and activists decided they couldn't resist the symbolism of the pit—the very image of boom times gone bust—as the perfect setting for their extravaganza of music and political theater. Down in the slime at the bottom of the pit, they set up a huge stage, and behind it they planted an enormous sign reading 'Bongkar,' which means 'Tear Down' in Indonesian. The idea, one of the organizers told me, is both to celebrate the fact that the old man Pak Harto, King Harto, is gone and to show their defiance since 'Reformasi,' the movement to reform the entire system, has hardly begun.
Feature, 7371 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |