Until fairly recently the history of Catholicism in Elizabethan and Jacobean England was conceived largely in terms of hagiology. From the first history of the English Jesuits, by Father Henry More, grandson of Sir Thomas, in 1635, to the biography of the Blessed Edmund Campion by Evelyn Waugh, written exactly 300 years later, Catholic historians concerned themselves mainly with saints and martyrs, men of action and men of vision, with the pious great and the pious poor. They said little about poets and even less about artists or musicians; traditional historians have never been much interested in the arts. No doubt if they had found a Shakespeare among the faithful they would have made much of him. But they did not. They found only the Jesuit poet Robert Southwell; and it seemed rather beside the point to award Father Southwell the laurel since God had reserved for him the vastly greater glory of a martyr's crown of thorns.
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