Braziller, 158, 58 plates pp., $40.00
Mouton (Paris), 705 pp., $72.00
Knopf, 360 pp., $35.00
Harper & Row, 266 pp., $5.95 (paper)
Harper & Row, 310 pp., $5.95 (paper)
Brill (Leiden), Vol. II, 360 plus Arabic text pp., £ 25.92
University of California Press, 320 pp., $18.50
Harvard University Press, 352 pp., $16.00
Yale University Press, 320 pp., $15.00
Princeton University Press, 111 pp., $2.95 (paper)
Cambridge University Press, 268 pp., $21.50
At the time when Columbus sailed to the New World, Islam was the largest world religion, and the only world religion that showed itself capable of expanding rapidly in areas as far apart and as different from each other as Senegal, Bosnia, Java, and the Philippines. To take one small example: in the early fifteenth century, at the beginnings of the Italian Renaissance, when Western culture was still compressed between the frontiers of the Ottoman Empire and an unknown Atlantic, a man of learning and a manuscript illuminator in Herat, in western Afghanistan, together could take a legend of the Prophet Muhammad from the original Arabic and translate it into Uighur, a Turkish language of eastern Central Asia. This magnificent book in which the two scripts—Arabic and Uighur—march together across every page, and where the motifs and the styles of painting of Iran and China mingle, is now edited and introduced by Marie-Rose Séguy. It takes us in one sweep across one of the axes of the Islamic world, from the Hijaz, in western Saudi Arabia, to the westward provinces of China.
Review, 5595 words
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