Museum of Modern Art/Abrams, 320 pp., $55.00
Yale University Press, 352 pp., $65.00
Rizzoli, 280 pp., $60.00
Rizzoli, 240 pp., $25.00 (paper)
Princeton Architectural Press, 243 pp., $24.95
Among the more piquant ironies of twentieth-century architecture is that two of the greatest exponents of its most widespread manifestation—the International Style—moved away from it forty years before the rest of the world discovered the shortcomings of that boldly simplified but severely circumscribed way of building. Less than a decade after Le Corbusier codified the basic design principles of the International Style in his Five Points of a New Architecture of 1926, he abandoned the machinelike forms and sleek finishes of Purism and introduced the biomorphic contours and rough materials that he often used during his later career.
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