Volume 45, Number 4 · March 5, 1998

Portraits of a Lady

By P.N. Furbank
Women's Words: Essay on French Singularity
by Mona Ozouf, translated by Jane Marie Todd

University of Chicago Press, 300 pp., $29.95

The 'woman's portrait' ('portrait de femme') has tended, says the author of Women's Words, to be a male genre. The genre has its great men—Sainte-Beuve, Michelet, the Goncourt brothers—and its own rules, chief among them being that the portrait should be done from the point of view of what Woman is and ought (or ought not) to be. This entails, further, an assumption that the subject, and indeed any woman, 'is a nature before being a person.' By contrast, as Mona Ozouf rightly points out, 'the author of a man's portrait has no need for preliminary reflection on what a man is.' What she says is all too true, and Michelet's Les femmes de la Révolution and Sainte-Beuve's Portraits de femmes can make a reader cringe. A woman, according to Michelet, for example, is a 'daughter of the sidereal world'!



Review, 3899 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search