In the September 26, 2013 issue of The New York Review, Sanford Schwartz writes about a new exhibition of the work of L.S. Lowry (1887–1976), whom he calls “Britain’s only visual artist to make industrial Lancashire, with its factories and smoke-belching chimneys and crowded streets, his or her predominant subject.”
On June 22, 2013, The New York Review held a conference to celebrate its fiftieth anniversary and to honor the lives, work, and legacy of Isaiah Berlin, Stuart Hampshire and Bernard Williams. We are pleased to present the following audio record of this event.
Recently, the British pianist Stephen Hough reported on his blog that he had made “The most exciting musical discovery of [his] life: Tchaikovsky’s wrong note finally corrected.” The article questioned a note in Tchaikovsky’s First Piano Concerto, a large-scale, virtuosic piece that makes striking use of Russian folk themes. At the start of the concerto’s slow movement, the flute plays a phrase that consists of the notes A-flat, E-flat, F, A-flat. But is that F a mistake?