The events in Cairo of August 14, in which Egyptian security forces confronted thousands of supporters of ousted president Mohamed Morsi, were widely covered around the world. Most reports have described the protesters as unarmed and peaceful. However it was clear, both from what I witnessed on the ground and from extensive footage recording the events that day, that a faction of the protesters were heavily armed, and that both Islamists and the police used live ammunition in the confrontation that followed.
In the September 26, 2013 issue of The New York Review, Sanford Schwartz writes about a new exhibition of the work of L.S. Lowry (1887–1976), whom he calls “Britain’s only visual artist to make industrial Lancashire, with its factories and smoke-belching chimneys and crowded streets, his or her predominant subject.”