The Chattering Mind
Tim Parks
It occurs to me that by far the main protagonist of twentieth century literature must be the chattering mind, which usually means the mind that can’t make up its mind, the mind postponing action in indecision and, if we’re lucky, poetry. It starts perhaps in that room where the women come and go, talking of Michelangelo. Soon Leopold Bloom is diffusing his anxiety about Molly’s betrayal in the shop signs and newspaper advertisements of Dublin. In Mrs Dalloway’s London people muddle thoughts of their private lives with airborne advertisements for toffee, striking clocks, sandwich men, omnibuses, chauffeur-driven celebrities.











