Nabokov described a fictional play in one of his stories as “essentially idiotic, even ideally idiotic, or, putting it another way, ideally constructed on the solid conventions of traditional dramaturgy.” We all know the kind of thing he is talking about. The lengthy, character-revealing speeches, the unannounced guests who throw everything into confusion, the “dramatic irony,” the “rising action,” the over-neat ordering of life into three brisk acts—these are the solid conventions that keep us away from the theater or that make us wish we’d stayed away when we do end up there. Chekhov, whose plays hardly seem to coerce life at all, boldly broke ranks with this wearying regimentation.
The Kim is dead. Long live the Kim. That, at least, is the story you’ll get from most of the initial takes on the death of Kim Jong Il, whose death was announced Monday around noon, Korean time. His designated political heir, his son Kim Jong Un, is now set to take the reins. That, at least, is how it’s supposed to happen according to the peculiar rules of the world’s only communist monarchy. After all, isn’t the Democratic People’s Republic of Korea a staunchly totalitarian state where nothing ever changes? Actually, no. You could have gotten away with writing that just a few years ago. But too much has happened in North Korea in the interim.
For a moment, it seemed that President Obama would actually stand up to Congress on Guantanamo and military detention. But on Wednesday, the White House announced that the president will not veto the National Defense Authorization Act, despite the extraordinarily dangerous principles the legislation endorses. It creates a presumption in favor of indefinite military detention for foreign terrorism suspects, and it provides that indefinite detention without charge may be imposed on anyone who has provided “substantial support” to groups that are “associated forces” of al-Qaeda, though it leaves undefined what constitutes “substantial support” and which groups might qualify as “associated forces.” Most disturbingly, the law still effectively prevents President Obama from closing Guantanamo.
The Martin Luther King, Jr. memorial in Washington, DC looks like heroic sculpture from the China of Chairman Mao. In The Mountaintop, a play by Katori Hall now on Broadway, Dr. King is offered yet another tribute his memory could maybe have done without. In Hall’s well-meaning, but naive play about an imagined conversation between King and a maid at the motel where he stayed on the night before he was killed, King’s last hours on earth become an occasion for tribal laughter and warm black feelings. The Mountaintop is so focused on reconciling us—and him—to his death, that Hall seems uninterested in how she might be exploiting King’s legacy.
Pakistan’s decision to close down US and NATO supply routes to Afghanistan has forced Washington to rely on Central Asian countries that are hardly known for democracy and rule of law. Tajikistan is a base for Islamic extremists, while Uzbekistan, which controls the main northern supply route to Afghanistan, has only deepened its reputation for large-scale human rights abuses. And yet there is some exceptionally good news from the fledgling republic of Kyrgyzstan, which has shown itself determined to establish a working democracy. Will the US, with ever fewer options in Afghanistan and Pakistan, be able to capitalize on the all-too-overlooked Kyrgyz example?
There was reason to expect some personal revelations when the musician and writer Patti Smith took the stage at the Metropolitan Museum of Art on a Friday evening in early December. She was there to talk about Georgia O’Keeffe and Alfred Stieglitz, the photographer and indefatigable promoter of modern art whom O’Keeffe married in 1924. An exhibition upstairs in the Tisch Galleries—showcasing the works of art that O’Keeffe had selected from Stieglitz’s private collection and given to the Met in 1949, including some of his erotic photographic portraits of O’Keeffe herself—was the immediate occasion for Smith’s appearance, along with the publication of the first volume of letters by O’Keeffe and Stieglitz, which Smith carried onto the stage like a bible, festooned with yellow Post-it notes.
Throughout a decade of terrible conflict in their country, there is one kind of violence Afghans have largely avoided: between Sunni and Shia. On December 6, however, all that changed. In coordinated attacks aimed at Shiite Muslims in three Afghan cities, bombs killed 63 people and wounded 150. Lashkar-e-Jhangyi, a Pakistani militant group affiliated with al-Qaeda, has claimed responsibility for the attacks. Its aim appears to be to start a sectarian civil war.
For nearly ten years now, Guantanamo Bay’s military prison has been an international symbol of United States lawlessness and a recruiting boon for al-Qaeda. If Congress gets its way the facility will stay that way for the indefinite future. Both houses of Congress have now approved versions of the National Defense Authorization Act (NDAA), a bill that would require the use of military detention and military courts for suspected terrorists and make it virtually impossible to close Guantanamo.
One morning last week, while visiting a friend’s house on the outskirts of the old city of Damascus, I heard high-pitched voices shouting “Irhal ya Bashar!” (“Leave, o Bashar”). I peered out the window onto the street but couldn’t see anything. Later, when I went out, I tracked the chants to children innocently swinging to and fro on a large rusty metal swing in the street. The protest chant against Syrian leader Bashar al-Assad would be nothing out of the ordinary in Homs, the city near the Lebanese border that has been a center of the Syrian revolt, but to hear it from children’s mouths in the heart of the capital shows how far the revolution has spread.
There are many reasons for the poor showing of Vladimir Putin’s party in Russia’s December 4 parliamentary elections, among them the way Putin announced earlier this fall that current president Dmitry Medvedev would step aside in the March 2012 presidential elections so that he could run largely unopposed. But there also seems to be an increasing sense among Russian voters that the Kremlin has done nothing to stop pervasive corruption and that its own behavior is often above the law. To understand the extent of the crisis, observers might do well to watch German filmmaker Cyril Tuschi’s provocative new documentary about jailed Russian oligarch Mikhail Khodorkovsky, which began showing in Russia and the United States just days before the elections and is now at New York’s Film Forum.