I first became convinced of the genius of Taiwanese director Hou Hsiao-hsien when I saw The Puppetmaster (1993). Until then I thought of Hou as the maker of extraordinarily fine, quasi-autobiographical youth films. The Puppetmaster went much further, showing a profound sense of motion pictures as a way of exploring the passage of time.
Reading is an essential aspect of censoring, not only in the act of vetting texts, which often lead to competing exegeses, but also as an aspect of the inner workings of the state. Not only did censors perceive nuances of hidden meaning, but they also understood the way published texts reverberated in the public. Despite its ideological function, the reworking of texts often resembled the editing done by professionals in open societies. To dismiss censorship as crude repression by ignorant bureaucrats is to get it wrong.
Despite a near perfect record of misses, inflation hawks that help set the Fed’s interest rate policies are making influential public pronouncements again. The public, policymakers, and the media should recognize not merely how flawed their judgment has been in the past, but that their conclusions are the same almost no matter the circumstances.
In the age of the Internet, do we really need footnotes? For a book to be taken seriously, does it have to take us to the yellowing page of some crumbling edition in the depths of an austere library, if the material could equally well be found through a Google search? Has an element of fetishism perhaps crept into what was once a necessary academic practice?
Novelists have long been attuned to the psychology of interior design. But such connections were less common in nonfiction before the publication in 1958 of Mario Praz’s La casa della vita, which appeared (in Angus Davidson’s lustrous translation) as The House of Life a half-century ago this year.
In his address to the nation, Obama made the case for a large-scale, long-term military offensive to “destroy” a group that now holds significant territory in two countries. Such a lengthy military intervention amounts to war, the very sort of engagement that the framers felt should be undertaken only if approved by the legislative branch.
Li Yinhe: During the first thirty years of its rule, the Communist Party was anti-sex. So studying sex is controversial. Even in my current book, the section on laws about sex was eliminated. You can’t publish it.
Over at Forbes, Mark Adomanis claims to have found eight errors in my piece on Michelle Parsons’ and Nicholas Eberstadt’s books on Russian demographics. I can go on and detail all the cherry-picking and misinterpretations in Adomanis’s piece, but the careful reader can easily do that herself. So I’ll concentrate on the substance of his criticism.
Among the many stories concerning foreigners setting out to fight in Syria, the allegations about Chinese Uighurs arrested in Thailand—many of them women and children—stand out. They have triggered a quiet tug of war between China, which is pressuring Thailand to send them back, and the West, which has argued that deporting them would expose them to savage mistreatment.
Because of the photography of their day, we tend to think of the world wars in black and white. Peter Walther’s The First World War in Colour feels like looking at a familiar scene through a different pair of eyeglasses. The first thing that stuns you is the brilliant colors of the uniforms. The French army of 1914 was the most snappily dressed in Europe.