Eats and Reads
Ingrid D. Rowland
For Italian columnist Giacomo Papi, the essence of contemporary society has been revealed once and for all in the way we eat. It all started, he maintains, in the 1980s, when bow tie pasta with salmon in cream sauce began to appear on Italian menus:
Cooking began to be an aesthetic experience. Thirty years later, the salmon has been replaced by tuna (tartare, seared, with ginger), risotto is triumphant, the cream has disappeared, and every ingredient comes mysteriously supplied with its own geography…Thirty years later, it is impossible to eat and discuss some other subject. It is impossible to sit at table without analyzing, forkful by forkful, every flavor and ingredient…as if the experience will be incomprehensible and insipid without commentary. It is the triumph of meta-cuisine. Taste no longer affords pleasure on its own. Just as contemporary art exists only if someone talks about and interprets it, so cooking only lives, these days, in the comments of its consumers.
The consequences of meta-cuisine for society are dire, in Papi’s view:
Food has replaced fashion…The mouth has become our most important organ. It is a transformation in keeping with our era, which seems to be concerned mostly with channeling its own voracity. Cooking is the art of our time. Because eating is the only sensory, and hence aesthetic, experience that is entirely fulfilled in consumption. By destroying the work of art.
On the other side of the Atlantic, matters are no different.











