Notorious Couture
Martin Filler
The most notable change in female fashion during the past three decades has had nothing to do with such age-old preoccupations as hemline length, neckline depth, or silhouette width. Rather, it has been the inexorable transformation of the high-end women’s garment trade from the province of a tiny elite to an all-pervasive marketing tool for international luxury-goods conglomerates, which have masterminded such paradoxical concepts as mass luxury and global exclusivity, more through the sale of designer-label cosmetics and accessories than through clothing itself.
Today, red-carpet celebrities serve as living billboards to promote big-name dressmakers, shoemakers, and jewelers in borrowed finery at entertainment award ceremonies, only to have it all vanish after midnight like Cinderella back from the ball.Thus not least of the pleasures afforded by Notorious and Notable: 20th Century Women of Style—a comparatively small but thoroughly entertaining and subtly instructive exhibition on view at the Museum of the City of New York—is to be reminded that once upon a time, and not so long ago, the most influential style-setters actually owned their haute couture and bijoux.










